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Romancing
The Rann
Achal
Dhruva experiences the splendours of the great desert of Kutch

Nothing,
absolutely nothing could have prepared me for the scene, which
unfolded before my eyes. Mesmerised I drank in the stark yet
beautiful landscape. For miles around merging into the distant
horizon lay a large barren expanse, a huge white bed sheet
with blotches of blue (water) shimmering in the afternoon
sun.
Perched
atop Kaladungar (1,515 feet), the highest mountain in Kutch,
the Great Rann of Kutch, a hard white expanse of mud and salt
covered with fine sand appeared like a Himalayan glacier magnified
hundred times over. This Kharopat or salty expanse
covering an area of 1,800 square kilometers is undoubtedly
a great wonder of nature and has an all-pervading influence
on life in the region.
Kaladungar, 80 kilometers from Bhuj, the district headquarters,
is a lone sentinel and the last major landmark before the
never-ending wasteland. Besides the overwhelming magnitude
of the desert, excitement is fuelled by the fact that the
Pakistan border is just 90 kilometers away. Civilization stops
short of India Bridge, twenty kilometers away and the harsh
terrain beyond with temperatures touching 50 degree Celsius
in summer and just above zero in winter is populated only
by the Border Security Force (BSF) and the Army.
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| Tribal
Life in Kutch (Top & Bottom) |
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| Intricately
carved interiors of a bhoonga |
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| Chattardis
at Bhuj |
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| Tomb
in Lakhpat Fort |
Absorbing
this huge vista of riveting desert scape thinking I had seen
it all, I heard an echo of laung, laung..., which
pierced through the howling wind. A sadhu was standing on
the edge of the mountain beating a thali shouting into the
valley over and over again, laung, laung. He continued
for five minutes, placed something on the rocks and then walked
back to the small temple of Lord Dattatray, the only other
structure on the peak besides the BSF shacks. Intrigued, I
was about to question the sadhu when he pointed towards the
rocks. A fox appeared sniffing the mountain air and was soon
followed by four others, to partake their mid-day meal of
sweet rice and lapsi (a kind of sheera). For years, the head
priest of the temple has been feeding these creatures who
answer his call of laung, laung, with unfailing
regularity like pet dogs. The sadhu informed that the evening
congregrations swell to nearly 20-25.
According to folklore, Dattatray Maharaj took samadhi after
12 years of penance on the peak of Kaladungar. He used to
offer prasad to the devotees and the foxes. Once the region
was affected with severe drought and the Maharaj ran out of
prasad. When a starving fox came up to him for food he had
nothing to offer, so he offered his body saying, "lo
aang" (take my body ). The fox survived by biting a morsel
everyday and when the Maharajs end was near, the fox
questioned who would feed him after Maharaj was gone. The
Maharaja assured the fox that his clan would be catered to
by the head priest and till date the practice has continued.
The strange encounter with foxes which are an integral part
of the mystic beauty of the mountain and the desert was like
stepping into a world of magical realism of Gabriel Marquez
or Salman Rushdies novels. Kaladungar certainly left
an indelible mark, as did the rest of Kutch, on my short six-
day whirlwind escapade to this fascinating northwest frontier
of Gujarat to witness the Kutch Utsav (See Box), couple of
years ago.
I was accorded a traditional welcome as soon as I steeped
out of Gandhidham station. An ass stood blocking our vehicle
braying lustily and he refused to budge until he had finished
his welcome speech. The ass is the most common animal found
loitering in the streets of the various towns of the region
but his cousin-the Jack Ass, running wild in the semi-desert
areas of the district, is the main attraction.
The narrow bustling lanes of Bhuj, the district headquaters,
48 kilometers from Gandhidham, is filled with the braying
clan and the township and its people display the same laidback
attitude. Colourfully dressed in sharp contrast to the uniform
sandy landscape, people just amble in any direction, displaying
an absolute lack of road sense. A gateway to the region, the
walled town pictorially placed between two streams was built
by Rao Khengarji I (1510-85) whose successors ruled Kutch
till its merger in the Indian union in 1948.
Bhuj is a classic example of desert township like Jaisalmer
and Bikaner with its charming sandstone monuments presenting
an aura of medieval glory and an enchanting Arabian Nights
feel about it. An ancient citadel, Bhuj has a plethora of
interesting tourist sites. Darbargadh Palace, erected in various
stages, is an intricate maze of traceries, Rajput Jarokha
or balconies, cupolas and Mughal turrets that are in stark
contrast to Rao Pragmaljis Palace.
The edifice erected in 1860s and 70s in a Venetian-Gothic
style with pointed Gothic arches, classical colonnades and
European truss timber roofs, is the most spectacular sight
in town. However, the magnificent palace like many other structures
suffered extensive damage during the devastating earthquake,
which rocked the region on Republics Day in 2001.
The exteriors of Aina Mahal are very simple and drab but the
austere facade hides some of the most glorious palace interiors
imaginable. Nowhere else can one see so much extravagance
concentrated in a few rooms. It was built in the 18th century
and the center piece is a pleasure pool courtyard with fountains
surrounded by marble walls, which are inlaid with mosaics
of mirror and precious stones.
Another chamber known as Hira Mahal, is upholstered in silk
embroidery and decorated with Dutch, English and French clocks
and toys. The royalty of this desert kingdom made equally
spectacular burial grounds to match their larger than life
images.
Chattardi or the samadhi sites of the royalty, decorated with
beautiful and intricate sandstone carvings and well sculpted
funeral stones, are located adjacent to Lakhparo lake in the
heart of the town. Among all the Chattardis,the grandeur of
the Chattardi of Raja Lakhpat is unrivalled. Besides his idol,
the main hall is adorned with idols of his 15 queens who committed
sati.
Nights in Bhuj during the Kutch Utsav are one long celebration.
The huge municipal ground resonates to the foot-stomping beats
of the traditional folk dances and the audiences are regaled
into the wee hours by the dairo, a typical story telling art
of Kutch. However the nerve center of the Utsav is Dhrang,
one-and-a- half hour drive, from Bhuj. Throngs of locals converge
at the ancient Shiv temple in all their finery. Once they
pay their respects to the Gods they break out in joyous celebration
of life with impromptu dances, horse races, camel races and
donkey races. The atmosphere becomes surcharged with heavy
betting of the pride of the small hamlets, is at stake in
these races.
However, Banni, the semi-desert region near Khavda, offers
a glimpse of true village life and natural beauty. Large patches
of seawater marshes have turned the region into a haven for
thousands of flamingoes and other migratory birds. During
winter one can witness at close quarters the life and flight
of these graceful birds -an ethereal sight which remains etched
in the memory for a long time.
The
best way to explore this waste lands rich wildlife like
wild boars, foxes, wild ass etc is on camel back, an adventure
of a lifetime. As you wander about for hours in search of
game you might be greeted by the most exotic sight of this
region, a caravan of Rabbaris, a clan of nomads. Dressed in
jet black with thick colourful embroidery work on their dresses,
the caravan generally comprising of a few camels and donkeys
loaded with their meager belongings is accompanied by women.
The men folk usually follow with their grazing herds of goats.
Banni is also filled with pockets of small villages where
generations have been creating the most exquisite handicrafts
like engraving on silver ornaments, bandhani embroidery, wall
paintings, wood work, lacquerware, terracotta and textiles
within the Bhoongas. An entry into their simple-but-traditional
dwellings, which are circular mud structures with conical
thatched roofs takes you into a mini gallery of art. The white
washed walls are intricately carved with mirror work where
women folk are engaged in bharat kaam or embroidery. Their
handicrafts have made them world famous. They are equally
famous for their hospitability and sharing their spartan meal
of Bajara rotis, khicchdi and buttermilk can leave you licking
your fingers for a long time.
The villages, a hidden wealth of culture, art, history and
tradition has made this region a perfect tourist destination,
which till date has remained unexplored. Kutch Utsav can be
a perfect begining for a life long love affair with the people
of the endless desert trapped in time.
| Kutch
Utsav |
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Staged
on the occasion of Mahashivratri (end of February, early
March), the Kutch Utsav is a jouyney through a panorama
of unending and enchanting images, amidst diverse landscapes
encompassing virgin beaches, inscrutable desert lands,
wildlife sanctuaries, major archeological excavation
sites, historic monuments, palaces, pilgrimage centers
and forts.
The festival organised by Tourism Corporation of Gujarat
Limited offers a package of six days and five nights.
The itinerary comprises of visit to:-
-
Bhuj
- Matano
Madh-the 1,200 years old temple with unique architectural
expositions of dimensions and space.
- Lakhpat-an
ancient port city where time has stood still.
- Narayan
Sarovar-a sacred pilgrimage center with one of
the five holy lakes.
- Koteshwar-the
western most tip of the country which also has an
ancient Shiv temple.
- Anjar-famed
for the tomb of Jesal-Toral and museum of Kutchi Art.
- Bhadreshwar-one
of the holiest pilgrimage center of the Jains.
- Mandvi-
near virgin beach, the Hava Mahal built in the royal
traditions of Rajasthan and Vijay Vilas palace are
the attractions here.
- Banni-Khavda-desert
land of infinite dimensions with quaint little villages
suspended in time and rich in culture and crafts.
- Dhola
Veera- a historically significant archeological
excavation site.
Package details are available at TCGL offices.
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Photographs:
Natwar Vyas and Achal Dhruva
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